Life and a Day

Oct 17, 2017 — One of the very best podcasts out there, You Must Remember This, is back with a new season, “Bela and Boris.” Karina Longworth introduces the first episode, “Where the Monsters Came From” (41’40”): “Bela Lugosi and Boris Karloff were two...

Oct 5, 2017 — This is the documentary that put an end to Steven Spielberg’s plans to produce a narrative feature—to be directed by Sam Mendes—based on Gay Talese’s book, The Voyeur’s Motel. Spielberg had bought the rights after the New Yorker ran an...

Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Jul 11, 2017 — Let’s begin today with the listening and viewing tips, because New York Times film critic Manohla Dargis is Peter Labuza’s guest on The Cinephiliacs (85’38”). Among the topics discussed are “her childhood movie love of watching objects without inhibition and...

Jun 22, 2017 — The new issue of Senses of Cinema opens with a whopping dossier on Budd Boetticher (1916–2001). In his introduction, Dean Brandum notes that “in 1960, at the very moment he seemed destined for A-list status, he walked away from Hollywood,...

Jun 1, 2017 — Suffused with a quiet radiance, this Kazakh New Wave masterpiece grapples with cultural displacement through an allegorical tale of vengeance.

May 18, 2017 — Before turning to events happening in various cities, let’s note that the Seventh Art Stand carries on through the end of the month. It’s “a nationwide screening and discussion series presented by 50+ theaters, museums, and community centers in more...

Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.