Life Goes On

Mar 14, 2023 — A pivotal early film from legendary Hong Kong director John Woo, this martial-arts classic explores the heroic ethos of youxia, Chinese warriors willing to sacrifice their lives to fight for justice and fulfill their promises.

Aug 16, 2022 — The Safdie brothers drew inspiration from their childhood memories for their first feature as codirectors, a terrifying yet wondrous portrait of an unpredictable father.

Feb 22, 2021 — Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...

Jan 28, 2021 — Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...

Nov 17, 2020 — Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...

May 26, 2020 — Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...

Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.

Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.

Jun 13, 2018 — Can a screenwriter influence—even change—the course of film history? With his script for Rashomon (1950), Shinobu Hashimoto, who turned 100 this year, did just that. The film launched its director—Akira Kurosawa—to world fame and brought international audiences to the glory...

May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.