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Last Days Here

Mar 3, 2020 Mohammad Rasoulof has won the Berlinale’s Golden Bear, and Eliza Hittman is taking home the grand jury prize.

Aug 30, 2019 This week, a feminist journal folds, a filmmaker pens a manifesto, and Richard Linklater commits to a twenty-year project.

Apr 2, 2019 Mike Leigh’s endless fascination with human behavior is palpable in every one of the films he’s made over the course of his nearly fifty-year career. With an acute sensitivity to rhythm, character, and setting, he extracts extraordinary moments from the...

Jun 8, 2018 On a rainy Saturday in May that called to mind the foggy Pacific Northwest atmospheres of Twin Peaks, a crowd gathered at the music venue Brooklyn Steel for a journey through the world of David Lynch. Celebrating its third annual...

Dec 15, 2017 The International Film Festival Rotterdam has been rolling out the lineup for its 2018 edition (January 24 through February 4) in quick spurts over the past few weeks, and it’s far from complete. But there’s already more than enough to...

Nov 21, 2017 Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.

Aug 4, 2017 New York. The Elephant in the Room: The Films of Alan Clarke, a retrospective at Anthology Film Archives, opens today and runs through August 20. “Films like Elephant, Christine, and Contact, all of which play on this series’ opening night,...

Jul 15, 2017 “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...

Jun 21, 2017 Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...

Nov 5, 2012 The following originally appeared as the afterword to the 2003 New American Library edition of the novel Rosemary’s Baby. Having observed that the most suspenseful part of a horror story is before, not after, the horror appears, I was struck...

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