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Going by the Book

Jul 6, 2016 The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.

May 12, 2016 When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.

Oct 2, 2015 We were delighted when Greek director Yorgos Lanthimos and his wife, the actress Ariane Labed, dropped by for lunch in the Criterion kitchen on Monday.

Mann Crush

Production Notes

Jul 7, 2008 Sometimes it’s pretty tough for me to divorce my inner fanboy from the (probably unrealistic) ideal of a business-only, detached producer. One such moment was when I saw that Anthony Mann’s The Furies was a part of our Paramount deal....

Jun 11, 2019 The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...

Aug 9, 2010 San Francisco filmmaker Terry Zwigoff’s first cinematic effort, the 1985 Louie Bluie, is a wry, ribald, and magical portrait of the country-blues string band player and irrepressible raconteur Howard Armstrong (a.k.a. Louie Bluie). This catchy, engaging sixty-minute documentary, a clattering...

The Days Go By

The Daily

Nov 7, 2025 Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.

Oct 12, 2021 One of cinema’s most eclectic and impactful curators is fêted in the cities were he lived and worked.

May 21, 2019 Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

Feb 19, 2010 The following transmission is an e-mail from September 2002, which I sent back to Criterion headquarters after spending a night at Hunter S. Thompson’s cabin in Woody Creek, Colorado, recording commentary tracks for the DVD release of Fear and Loathing...

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