The Criterion Collection
The Daily
May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.
The Daily
May 23, 2024 — At a time of crisis for Argentinian cinema, an Argentinian director has won the top prize.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
The Daily
May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.
On the Channel
May 13, 2024 — Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.
The Daily
May 10, 2024 — Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.
May 9, 2024 — With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.
The Daily
May 8, 2024 — Thelma Schoonmaker brings Michael Powell’s Peeping Tom to the inaugural edition of JBFC Restored and Rediscovered.
The Daily
May 7, 2024 — This year’s edition features work by Michel Khleifi, Antoinetta Angelidi, Amit Dutta, Raúl Ruiz, and Tsai Ming-liang.
The Daily
May 3, 2024 — Hiroshi Shimizu and Oscar Micheaux retrospectives open in New York and cinematographer Hélène Louvart talks about working with Varda, Wenders, and more.