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Mar 1, 2012 — Louis Malle’s God’s Country is a remarkable account of one hamlet in the heartland of the United States—Glencoe, Minnesota—as seen first in 1979 and then again in 1985. Malle was fascinated by what he saw as a very American brand...

Feb 24, 2012 — The writer reflects on the decades-long creative collaboration and friendship between his father, playwright and television writer Elihu Winer, and John Voelker, judge and author.

Jan 20, 2012 — Quel scandale! In The Smiling Lieutenant’s “Jazz Up Your Lingerie,” one of the most delightful numbers from all the titles in the Eclipse series Lubitsch Musicals, Claudette Colbert’s free-and-easy flapper Franzi gives Miriam Hopkins’s prim Princess Anna (royalty from a...

Jan 18, 2012 — Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...

Jul 28, 2011 — We’re pleased to announce that Janus Films has picked up the North American rights to Aki Kaurismäki’s Le Havre, which, as you may have heard, premiered to much acclaim in May at the Cannes Film Festival, where it won the FIPRESCI (the...

Jun 6, 2011 — One Scene I lived in Zurich before joining Stanley Kubrick on his Napoleon project in 1969. Unfortunately, this film was never made, but I stayed with Stanley for another thirty years. It was in Zurich, in an art-house cinema, that...

May 27, 2011 — We’re excited to show you the brand-new trailer for Janus Films’ upcoming release of World on a Wire, Rainer Werner Fassbinder’s 1973 made-for-TV science-fiction epic. It will tour theaters around the country starting this summer. Check Janus’s official page to...

May 24, 2011 — One Scene The first time I saw Solaris was on VHS in the mid-nineties. Even though the film affected me profoundly, I never watched it again until now. The richness of the images, the vividness of the mood, and the depth...

Feb 2, 2011 — This essay first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the author. Michelangelo said he could sense the figure in the uncut stone; his job was...

The continuing cultural fascination with World War II has ensured that it’s the conflict most represented in cinema, and the Criterion Collection indeed contains more works about that massive conflagration than any other.