The Criterion Collection
Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...
On the Channel
Jun 6, 2019 — Deep Dives He is our treasured resident alien, visiting from a dimension where shadows are rooms and movies are bad dreams that change reality. That’s one kind of way to think about David Lynch, and there are thousands more. For...
Jun 5, 2019 — No filmmaker blazed more trails than Dorothy Arzner. In 1928, after making a handful of silents, Arzner became the first woman to direct a Hollywood sound film (Manhattan Cocktail), and a decade later she joined the Directors Guild of America...
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.
The Daily
Jun 3, 2019 — Wisdom from the Pope of Trash, the making of Raging Bull and The Wild Bunch, and studies of Tarkovsky and the Berlin School all figure in this month’s round.
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.
Interviews
May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.
The Daily
May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.