True/False 2020

The Daily

Mar 5, 2020 One of the most vital showcases of new nonfiction work is now on through Sunday.

Feb 27, 2020 Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.

Feb 26, 2020 Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...

Feb 21, 2020 Reflections from Bong Joon-ho’s interpreter and a report from the set of Apichatpong Weerasethakul’s Memoria open this week’s wide-ranging round.

Feb 11, 2020 How might four history-making Oscars impact movies from here on out?

Jan 28, 2020 Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...

Jan 24, 2020 This week we’re looking at new work from Víctor Erice, the varied oeuvre of Agnès Varda, the cinematic lighthouse, the making of Before Sunrise, and more.

Jan 23, 2020 The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.

Jan 14, 2020 There’s been a whole of kvetching, but also a bit of celebrating since the nominations were announced on Monday.

Jan 10, 2020 How do movies work? It’s a question that seems to have been on more than a few minds this week.

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