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Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Noir by Gaslight

Features

Oct 4, 2023 Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...

Sep 29, 2023 The week brings conversations with Hal Hartley, Todd Haynes, Christine Vachon, Pedro Costa, Wang Bing, and Rita Azevedo Gomes.

Sep 18, 2023 Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.

Sep 8, 2023 We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.

Sep 8, 2023 The festival launches new films by Wes Anderson, Richard Linklater, Harmony Korine, and Ibrahim Nash’at.

Sep 6, 2023 Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

Aug 31, 2023 With the WGA and SAG-AFTRA strikes on, the spotlight this fall will be on the directors.

Aug 28, 2023 Throughout her four-decade career as a writer and director, Susan Seidelman has told complex stories about unconventional women striving to express themselves and maintain their autonomy. Her genre-melding films fuse a passion for the pleasures of Hollywood spectacle with a...

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