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The Word

Apr 4, 2018 “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...

Apr 26, 2016 “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.

Oct 22, 2013 This delicately creepy Hollywood horror movie lives up to its reputation as a classic of the genre.

Dec 6, 2004 In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.

Mar 20, 2024 BUFF’s twenty-fourth edition offers plenty of scares and local talent.

Jul 11, 2023 Martin Scorsese drew on the influence of Hitchcock and Kafka for this anxiety-ridden tale of one bizarre night in New York City—a movie that energized him during a tumultuous period in his career.

Sep 9, 2022 New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.

Over Time

The Daily

Jun 25, 2022 This week sees new issues of film and literary journals as well as great writing on Stanley Kwan, Hong Sangsoo, and Claire Denis.

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

January Books

The Daily

Jan 20, 2021 Knausgaard on Bergman and Adam Nayman on Armond White on Steven Spielberg are among this month’s highlights.

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