The Spiderwick Chronicles (Mark Waters, ) script

Sep 26, 2017 — The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.

Sep 18, 2017 — Hong Sang-soo has begun shooting his twenty-second feature, reports the Yonhap News Agency. This one stars Kim Min-hee and Kwon Hae-hyo, both of whom appeared in Hong’s Cannes competition entry, The Day After. Kwon's management agency tells Yonhap: “We understand...

Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.

Jun 27, 2017 — After nearly a decade of honing his craft, Alfred Hitchcock firmly established his reputation with this silent thriller.

Jun 20, 2017 — “Bertrand Tavernier joins a growing list of filmmakers who've made what amounts to an epic video essay with My Journey Through French Cinema, a three-hour-plus leap into notable French filmmaking from roughly 1930 to 1980,” writes Clayton Dillard at Slant....

May 26, 2017 — Today’s second Competition entry is Fatih Akin’s In the Fade, and we begin with the A.V. Club’s A. A. Dowd: “Diane Kruger stars as Katja, a woman whose husband, a Turkish immigrant, and son, who’s only six, are killed in...

May 8, 2017 — With his mix of documentary-like immediacy and profound moral inquiry, Roberto Rossellini became a pioneer of Italian neorealism, a movement that transformed the way filmmakers captured the fabric of everyday life and and grappled with the most urgent social issues...

Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.

Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.