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The Lost City

Aug 16, 2017 New York. Boxing on Film: Part 1, a series opening at Anthology Film Archives on Friday and running through August 27, focuses “on the barbarity of pugilism while also exalting the elemental spectacle of two men trying to knock each...

Jul 26, 2017 “The rarely screened Le gai savoir (1969), translated as ‘Joy of Knowing’ in the 2K restoration that makes its world premiere at the Quad on Friday, exemplifies a typical Godardian paradox,” writes Melissa Anderson in the Village Voice. “Profuse and...

Feb 27, 2017 Last month, the world of silent-film history lost one of its most active proponents and preservationists.

Feb 8, 2021 1. Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019)—the director’s second film about Dylan, after 2005’s No Direction Home—was nearly a decade in the making. Work on Rolling Thunder continued while Scorsese shot Silence (2016)...

May 24, 2018 Repertory Picks This Sunday afternoon, in Louisville, Kentucky, the Speed Art Museum will treat moviegoers to a free screening of Jacques Tati’s 1967 PlayTime, the third and final movie in the museum’s tip of the cap to the French auteur’s...

Mar 11, 2015 More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neo­realism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...

Mar 21, 2012 The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...

Apr 16, 2026 This month, take a peek at movie history through the prism of the ’80s: our collection of the decade’s best remakes and the originals that inspired them reveals an era of wild reinventions and sly revisionism.

Sep 13, 2016 Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.

Jul 9, 2007 The names Hiroshi Teshigahara, Kobo Abe, and Toru Takemitsu loom large among Japanese intellectuals of the late twentieth century. Each in his own right was an artist of peculiar genius, each resisting easy classification in conventional categories: Teshigahara as filmmaker,...

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