The Criterion Collection
Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.
The Daily
May 6, 2022 — This week: Tarkovsky’s answer to Kubrick, the Otolith Group, Brooklyn filmmakers, German scenes, and Béatrice Dalle.
The Daily
Nov 9, 2021 — Julia Ducournau’s Titane, Jasmila Žbanić’s Quo Vadis, Aida?, and Florian Zeller’s The Father lead with four each.
The Daily
Jul 16, 2020 — This month’s round features reviews of books on Jacques Tati, Kelly Reichardt, Terrence Malick, Jordan Peele, and many more.
The Daily
May 20, 2019 — For many, the semi-autobiographical film is one of Almodóvar’s best in years.
The Daily
Feb 26, 2019 — He gave us some of the greatest musicals ever made and followed up with winning comedies, romances, and thrillers.
The Daily
Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.
The Daily
Jan 4, 2018 — Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....
On the Channel
May 22, 2017 — The intersection of cinema and the performing arts has been a source of inspiration for many of the world’s greatest auteurs. Over on the Criterion Channel, we’re raising the curtain on our latest series, All the Screen’s a Stage, which...
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.