The Criterion Collection
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...
Jul 6, 2021 — Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.
The Daily
May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....
The Daily
Apr 15, 2021 — Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.
The Daily
Mar 22, 2021 — Here’s what the critics have been saying about the winners of the two main competitions.
The Daily
Mar 16, 2021 — This year’s virtual edition offers seventy-five features over five days.
Mar 10, 2021 — For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...
Mar 9, 2021 — “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...