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The Blob

Essays

Mar 6, 1989 This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

May 26, 2026 Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.

May 12, 2026 Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

Apr 29, 2026 Deep Dives You look at Rainer Werner Fassbinder’s The Third Generation (1979), and you see the snarky, risky spirit of the New Wave movements that emerged around the world in the 1960s and ’70s in full, defiant bloom. But what...

The Lubitsch Touch

The Daily

Apr 6, 2026 New York’s Film Forum screens thirteen features by the master of urbane comedy.

Feb 9, 2026 Films from South Africa, Bangladesh, France, and Georgia are among this year’s winners.

Nov 25, 2025 Having broken through in over-the-top horror movies, Kier turned in arresting performances in films by Fassbinder, Lars von Trier, and Gus Van Sant.

Nov 18, 2025 This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.

Oct 8, 2025 We remember an artist, teacher, and filmmaker who unleashed realms of depth from two-dimensional images.

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