The Criterion Collection
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Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...
The Daily
Sep 28, 2017 — Let’s start today with a few interviews. I’ve opened the NYFF 2017 Index with a snippet from poet Peter Gizzi’s conversation with New York Film Festival director Kent Jones for BOMB, but I want to flag it again because they...
The Daily
Sep 26, 2017 — Let’s start today’s round with a few books. Next month sees the release of Movies That Mattered: More Reviews from a Transformative Decade, Dave Kehr’s followup to his 2011 book, When Movies Mattered. Before he became a curator in the...
The Daily
Sep 24, 2017 — For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...
Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.
The Daily
Sep 1, 2017 — New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around Episode 8 of Twin Peaks: The Return, now on through...
The Daily
Aug 26, 2017 — Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...
The Daily
Aug 4, 2017 — “In an unusual bit of programming synchronicity,” writes Ben Kenigsberg in the New York Times, “IFC Center will show High Plains Drifter—one of Clint Eastwood’s earliest directorial efforts, in which he casts himself as an amoral stranger who agrees to...
The Daily
Jul 31, 2017 — Jeanne Moreau, who appeared in over 130 films over a period of sixty-five years and was declared “the greatest actress in the world” by none other than Orson Welles, has passed away in Paris at the age of eighty-nine. She...
Jul 18, 2017 — With a weeklong run of our new restoration of Desert Hearts opening at the IFC Center in New York, we spoke with director Donna Deitch about this landmark of LGBT filmmaking.