Jun 21, 2017 Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...

Jun 2, 2017 A new online quarterly, Film Colossus, has launched with an issue focusing on movie endings. Travis Bean cites Clayton Dillard’s interview with Apichatpong Weerasethakul that ran in Slant last year, specifically the Thai filmmaker’s observation that “there are really two...

Mar 31, 2017 The worlds that David Lynch creates are as visionary and immersive as any in cinema, and part of their allure lies in the fiercely maintained elusiveness of the man behind the camera. Jon Nguyen, Rick Barnes, and Olivia Neergaard-Holm’s documentary...

Jan 23, 2017 In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.

Jan 2, 2017 With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.

Sep 28, 2016 The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.

Jul 23, 2015 The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.

May 11, 2015 The poignancy of Leo McCarey's tearjerker is due as much to the director's scrupulous aesthetic choices as his unforgettable characters and story.

Dec 10, 2013 Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

Sep 16, 2013 Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.

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