The Criterion Collection
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...
Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...
The Daily
Aug 9, 2018 — The Academy’s announced three changes it hopes will ward off encroaching irrelevance.
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
The Daily
Sep 15, 2017 — “Harry Dean Stanton, the character actor with the world-weary face who carved out an exceptional career playing grizzled loners and colorful, offbeat characters in such films as Paris, Texas and Repo Man, has died.” The Hollywood Reporter’s Mike Barnes and...
On the Channel
Jun 27, 2017 — Director Nadav Kurtz discusses what he learned while making his short film Paraíso, which chronicles the lives of three skyscraper-window washers in Chicago.
The Daily
Jun 25, 2017 — TIFF Long Take hosts Rob Kraszewski and Geoff Macnaughton talk with A. O. Scott about working with fellow New York Times film critic Manohla Dargis on that list of The 25 Best Films of the 21st Century (So Far) (43’08”)....