The Criterion Collection
Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
May 27, 2025 — Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.
The Daily
Mar 2, 2021 — Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.
On the Channel
Apr 30, 2020 — Check out what’s in store next month on our streaming service!
Jan 19, 2017 — Rainer Werner Fassbinder plays a working-class gay man hoodwinked by his uppity bourgeois lover in this unsparing portrait of queer culture in 1970s West Germany.
Essays
Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...
The Daily
Oct 12, 2023 — The director completes her “trilogy on Italian identity” by offering an outsider’s point of view.