Do Not Enter

Jan 27, 2020 — Kirby Dick and Amy Ziering’s On the Record and Kitty Green’s The Assistant explore the “ecosystems of power” that enable abusers.

Jan 8, 2020 — When it comes to building a genuine relationship between characters on-screen, how do you capture the feeling of a shared history? How much begins with what’s written on the page, and how much relies on the chemistry between actors or...

Jan 7, 2020 — The filmmaker, theater director, and Actors Studio instructor had a seemingly endless string of stories to tell.

Jan 7, 2020 — Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...

Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...

Dec 6, 2019 — Coaxed out of retirement, the actor and singer is winning plaudits for his powerfully understated performance in The Irishman.

Dec 3, 2019 — Performances If there was one mother-daughter television date my busy mum was always willing to down tools for, it was a Bette Davis movie. Her favorite—and mine, for the preteen period when I gave the thumbs-up to anything my mother...

Nov 13, 2019 — TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.

Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...