The Criterion Collection
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.
Essays
Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.
May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.
Essays
Feb 15, 2012 — Comedy evolves. We long ago bid adieu to the physical acrobatics of Buster Keaton, the wisecracks of Bob Hope, the witty repartee of Cary Grant and Irene Dunne. The now-reigning comedy of embarrassment, seen in the films of Judd Apatow...
May 3, 2011 — French auteur cinema has increasingly been exploring themes of sex through scenarios whose explicitness verges on the pornographic. Along with Patrice Chéreau (Intimacy, 2001), Léos Carax (Pola X, 1999), Virginie Despentes and Coralie Trinh Thi (Baise-moi, 2000), and Gaspar Noé...
Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.
Aug 24, 2010 — Josef von Sternberg’s The Last Command (1928) was first and foremost a star vehicle for Emil Jannings, the internationally known, Swiss-born actor, who had left Germany in October 1926 to work for Paramount Pictures. During his two and a half...
Apr 20, 2010 — In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...