As Testemunhas

Nov 19, 1989 — After finishing High and Low (1963), director Akira Kurosawa recalls, “I started looking around for something else to do and quite by accident picked up [the novel] Red Beard by Shugoro Yamamoto. At first I thought it would make a...

Apr 10, 1989 — In the Hollywood heyday of the ‘30s and ‘40s, America was synonymous with rip-snorting action-adventure movies. Audiences throughout the world thrilled to such classics as Gunga Din, The Sea Hawk, and Union Pacific. In the 1950s the Japanese made their...

Dec 5, 1988 — This existential thriller didn’t begin its life as a cannily trendy product of studio filmmaking, but rather as the very personal expression of the imagination of one of European art cinema’s greatest talents, Michelangelo Antonioni.

Oct 31, 1988 — This ingenious and entertaining crime thriller marks what its director Stanley Kubrick would like to think of as the real beginning of his career.

May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...

Apr 11, 1988 — Over the years countless films have been made about war, its horrors and its devastations—few, however, have been as moving and heartfelt as René Clément’s.

Jan 4, 1988 — The Secret Agent (1936) came to life in the prime of Alfred Hitchcock’s British period. It arrived between the popular triumph of The 39 Steps and the box-office rejection of Sabotage, a more daringly downbeat work. Secret Agent partakes of...

Oct 12, 1987 — Akira Kurosawa’s thrilling Cinemascope epic is set squarely within the traditions of the Japanese film genre known as the “Chambara.”

Dec 15, 1986 — It has been estimated that one out of four feature films made in America before the mid-1960s was a western. Since approximately 35,000 features were released in this country in the 70 years after the introduction of film, this would...

Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”