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A Misappropriated Turkey

May 8, 2018 Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

May 6, 2018 Cannes 2018 One of the major highlights of the ongoing, year-long celebration of the 100th anniversary of the birth of Ingmar Bergman will be the presentation of a 4K restoration of The Seventh Seal (1957) as part of this year’s...

A Tale of Two Hiroshimas

On the Channel

May 3, 2018 Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.

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The Daily

Apr 21, 2018 We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...

Apr 16, 2018 Just before the release of her new film You Were Never Really Here, Lynne Ramsay spoke with us about her early moviegoing life in Glasgow, the version of herself that emerges on set, and the mind-expanding power of chess.

Apr 2, 2018 Stanley Kubrick’s 2001: A Space Odyssey saw its world premiere on this day, April 2, in 1968 at the Uptown Theater in Washington, D.C. Two days later, it opened in two more theaters, one in Hollywood and one in New...

Mar 27, 2018 New German Cinema filmmaker Margarethe von Trotta shares her memories of working with Rainer Werner Fassbinder on the set of Volker Schlöndorf’s 1970 film Baal.

Mar 20, 2018 For the London Review of Books, Gaby Wood writes about Nicholas Ray’s In a Lonely Place (1950) and the 1947 novel it’s based on by Dorothy B. Hughes. “When filming began, Ray was married to its female lead, Gloria Grahame;...

Mar 8, 2018 This weekend, Winston-Salem’s a/perture cinema screens the greatest popular and critical success of François Truffaut’s late career.

Mar 6, 2018 Scholar Donald Petrie delves into how inspired choices in casting and cinematography gave Tony Richardson’s Oscar-winning period comedy its modern sensibility.

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