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A Funny Man

Feb 17, 2017 In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...

Sep 28, 2011 As a film student at the University of Southern California, new to LA and without connections, Patricia Resnick had a habit of following film trucks, just to see where they’d lead. One took her to Westwood and the set of...

May Books

The Daily

May 30, 2024 The season brings new biographies of Ingmar Bergman and Elaine May, a novel by Miranda July, plus interviews, excerpts, and podcasts

February Books

The Daily

Feb 14, 2023 This month’s roundup opens with an appreciation of Preston Sturges and wraps with a book launch serving donuts and damn fine coffee.

May 7, 2021 The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

Feb 6, 2019 On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Apr 5, 2017 At eighty-eight years old, Agnès Varda is still blossoming as an artist. Long known primarily as a filmmaker, a vocation she took up more than half a century ago, the French iconoclast is now in what she gleefully describes as...

Dec 7, 2010 In 1981, it seemed to me that a new era of fantastic cinema was upon us.

Jun 22, 2026 Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Oct 30, 2025 Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

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