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För att inte tala om alla dessa kvinnor

Nov 5, 2013 The author’s colorful interactions with the famously crusty filmmaker.

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Nov 3, 2013 The legendary Italian director discusses La notte’s inspirations and themes in this 1961 newspaper article that coincided with the film’s French release.

Nov 1, 2013 Did You See This?• A trailer for The Great Beauty • The late Lou Reed’s new film • Why Halloween is the best movie holiday • When Halloween costumes were really scary • Body horror by Brakhage • Arcade Fire...

Oct 29, 2013 In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.

Oct 28, 2013 A husband and wife in 1960s Milan are isolated from each other and displaced in the modern world in Michelangelo Antonioni’s tale of love and space.

Oct 25, 2013 Did You See This?• Stop, thief! • Dave Kehr goes to MoMA • Get to know your Tom Allen • Claire Denis’s visionary right-hand woman • Celebrating pre-Code Lubitsch • Listening to New York in the twenties • Warmest Color...

Oct 25, 2013 "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...

Oct 24, 2013 In 2004, actors Peter Falk and Gena Rowlands sat down in Rowlands’s home to discuss their landmark collaboration on John Cassavetes’s A Woman Under the Influence, in a conversation for Criterion. In the seventeen-minute dialogue, Falk (who died in 2011)...

Oct 24, 2013 In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...

Oct 23, 2013 If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

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