Ik-Film

Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...

Apr 22, 2013 — Restoration SpotlightShot in VistaVision and Technicolor, Richard III is the most eye-catching of Laurence Olivier’s essential big-screen Shakespeare adaptations. For years, it couldn’t be seen in its original glory, due to lost footage, faded colors, chemical staining, and missing frames....

Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.

The dynamic, Tokyo-born star was convincing whether playing a mercenary lone wolf or a heartsick love interest, a hero or a villain, in a sleek suit or samurai robes, and just as comfortable blending in to an ensemble as commanding...

Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.

Whether faithful adaptations or daring reimaginings, these are films that deserve to be appreciated alongside their printed progenitors.

Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...

Apr 9, 2013 — This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...

Apr 9, 2013 — David Cronenberg and William S. Burroughs: it was a meeting of the mutant minds years in the making.

Apr 8, 2013 — Photo by Maureen Gosling The great American documentarian Les Blank died yesterday at age seventy-seven. A crafter of intimate, idiosyncratic nonfiction films, Blank made movies for almost fifty years; his topics included traditional American music, food, and, of course, Werner...