This and That

Nov 16, 2023 — A new restoration of beguiling 1970 oddity opens this weekend in cities across the country.

Sep 24, 2018 — Professor David Bordwell breaks down the stunningly innovative thirteen-minute prologue of Alain Resnais’s debut feature in this excerpt from a program on the Criterion Channel.

Jan 5, 2011 — The blog Dangerous Minds has just posted a short entry focusing on the early-seventies almost-collaboration between Ron and Russell Mael, of the Los Angeles pop-rock band Sparks, and Jacques Tati, revealing what might have been a fascinating final chapter to...

Dec 25, 2022 — With 2022 coming to a close, one of our editors lovingly compiled this montage of the magical moments of silence our crews and collaborators share at the end of every interview.

Jun 20, 2014 — Did You See This?• Coffee talk with David Lynch • The (Lego) Grand Budapest Hotel • That time Jean-Luc Godard, Wim Wenders, Jean-Pierre Gorin, and Alice Waters went to the beach • Jan Troell on his career • Chinatown’s Los...

This singularly audacious B-movie visionary made purposefully crude, elegantly stripped-down films that laid bare the dark side of American culture.

Jan 4, 2007 — As we get back from vacation, the e-mail boxes are full. Kim, several of the other producers, and I have been doing our best to get to it all, but it’s beginning to pile up. We’ve been pretty good about...

Mar 9, 2020 — Kelly Reichardt is the director of seven feature films: River of Grass (1994), Old Joy (2006), Wendy and Lucy (2008), Meek’s Cutoff (2010), Night Moves (2013), Certain Women (2016), and First Cow (2019). Her work was the subject of a...

Jan 28, 2015 — Canadian filmmaker Atom Egoyan has directed fourteen features, including The Adjuster (1991), Exotica (1994), The Sweet Hereafter (1997), Ararat (2002), and, most recently, The Captive (2014). He writes, “Rather than a top ten, these are ten films with which I...

Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...