The Criterion Collection
Roxana Hadadi is a TV critic for New York magazine’s site Vulture who also writes about film and pop culture, with particular interests in feminism, masculinity, labor and class, and Middle Eastern and Muslim representation.
Shai Heredia is a filmmaker, a curator, and the founder of Experimenta, the international festival for experimental cinema in India. Her programs and award-winning films have been exhibited worldwide, and she is on the curatorial team of the Berlinale Forum...
Ehsan Khoshbakht is the codirector of Il Cinema Ritrovato in Bologna, Italy. An architect by training, he curates films around the world and is also a filmmaker (Celluloid Underground, Filmfarsi). His most recent book as writer and editor is The...
Akin Adeṣọkan is the author of Roots in the Sky, a novel, and Postcolonial Artists and Global Aesthetics. He teaches cinema and comparative literature at Indiana University Bloomington.
Lydia Ogwang is a writer, programmer, and cultural worker based in Toronto and New York.
Walter Chaw is the senior film critic for FilmFreakCentral.net, with bylines in the New York Times, LA Weekly, the New York Post’s Decider.com, and NPR’s Pop Culture Happy Hour. His book on the films of Walter Hill is due in...
Edward Baron Turk is a professor emeritus of the humanities at the Massachusetts Institute of Technology. His books on the performing arts include Child of Paradise: Marcel Carné and the Golden Age of French Cinema (Harvard University Press), Hollywood Diva:...
Film critic Stéphane Delorme was editor in chief of Cahiers du cinéma from 2009 to 2020. He was a programmer at the Directors’ Fortnight at the Cannes Film Festival when Daddy Longlegs made its world premiere there in 2009.
Karen Han is a culture critic and screenwriter whose work has been published in outlets such as the New York Times, the Atlantic, Vanity Fair, VICE, the Village Voice, New York magazine, and Slate. She is the author of the...
Bilal Qureshi is an essayist and broadcaster whose criticism and reporting have appeared in Film Quarterly, the Washington Post, and the New York Times and on the BBC and NPR.