The Criterion Collection
One of the most beloved figures to emerge in 1960s Hollywood, the Oscar-winning actor was acclaimed for his collaborations with directors such as Arthur Penn, William Friedkin, and Wes Anderson.
The writer and director shares how an act of generosity from Wim Wenders changed his life, recalls how Working Girls influenced the tone of Exotica, and explores the “erotic energy” of Walkabout.
The director and cowriter of The Brutalist selects three favorites by Luchino Visconti, praises Larisa Shepitko as one of the greatest directors in the history of cinema, and talks about the hypnotic, endlessly watchable The Mother and the Whore.
The musician reminisces about Repo Man playing permanently on his tour bus, shares why The Flight of the Phoenix is a relaxing Sunday movie, and selects favorites by David Lean and Marlon Brando.
The actor and star of Babygirl expresses his love for the films of Lino Brocka, praises his costar Nicole Kidman’s performance in To Die For, and talks about being influenced by such filmmakers as Mike Leigh and Harmony Korine.
The actor shares how she finds comfort in Hedwig and the Angry Inch, talks about helping to create a theatrical adaptation of Town Bloody Hall, and selects favorites including Shampoo, Paper Moon, and Hoop Dreams.
The director and producer reminisces about the emotional impact of his early moviegoing experiences, shares his passion for the films of Federico Fellini, and talks about the profound thrill of watching Steve McQueen’s Hunger and Wim Wenders’ Pina for the...
The director of Compensation shares what Bruce Lee’s films taught her about cinematic movement, praises Sarah Maldoror’s revolutionary Sambizanga, and shouts out filmmakers she loves, from Cauleen Smith and Cheryl Dunye to Alice Diop and Ousmane Sembène.
The actor shares his close connection to Lindsay Anderson’s This Sporting Life, praises Richard Burton’s performance in The Spy Who Came in from the Cold, and talks about playing villains for “master of the macabre” Brian De Palma.
The actor and star of Christophe Honoré’s Marcello Mio talks about the power of political films disguised as comedies, such as To Be or Not to Be and Divorce Italian Style; shares her love for Japanese horror cinema; and reminisces...