Back To Search

The Hindenburg

The director of Flow praises the mixture of abstraction and emotion in Woman in the Dunes, talks about how Martin Scorsese played by his own rules with After Hours, and selects his comfort movie, Fantastic Mr. Fox.

The legendary director joins the star of his new film Hard Truths in the Criterion Closet, where they share their love for Akira Kurosawa and Charles Burnett, reminisce about early moviegoing experiences, and select favorites for each other.

The musician and Pulp front man shares how films like Blue Velvet and Meantime altered his view of cinema, talks about collaborating with Wes Anderson and Danny Boyle, and decides he’s finally ready to watch Salò, or The 120 Days...

The actor and producer praises Anthony Hopkins’s performance in The Silence of the Lambs, shares why Badlands has one of cinema’s best car chases, and celebrates an Australian favorite, Breaker Morant.

The legendary director shares the importance of learning from the work of Krzysztof Kieślowski, talks about how Straw Dogs sparked his desire to pursue filmmaking, and selects box sets by two of his favorite filmmakers, Martin Scorsese and Masaki Kobayashi.

The actor and star of Exhibiting Forgiveness talks about his hero, the late James Earl Jones, and his performance in Claudine; shares how Lorraine Hansberry’s A Raisin in the Sun sparked his desire to perform; and selects films by friends...

The legendary actor returns to Closet, where she shares her love for independent American gems such as Barbara Loden’s Wanda and Michael Roemer’s Nothing but a Man, talks about Roberto Rossellini’s work with Ingrid Bergman, and selects Italian cinema classics...

Share your love for some of the greatest filmmakers in the world. Available in three colors, each with a unique selection of Criterion directors. Collect them all!

The actor and star of Megalopolis shares her deep connection to Steve McQueen’s Small Axe, reminisces about growing up repeatedly watching Love & Basketball, and reflects on the cultural importance of Paris Is Burning.

The writer and director of All We Imagine as Light shares why Sans Soleil and Arabian Nights are gifts that keep on giving, talks about Aki Kaurismäki’s “fun and audacious” Leningrad Cowboys films, and praises Louis Malle’s Phantom India as...

Current Page
563
of 815

You have no items in your shopping cart