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In Gefahr und größter Not bringt der Mittelweg den Tod

Aug 25, 2017 In his 1986 film Sid & Nancy, director Alex Cox reimagined one of the Sex Pistols’ most notorious promotional stunts.

Aug 21, 2017 Mike Leigh chats with rock musician Jarvis Cocker about his film Meantime and the role television played in fostering British film culture.

Once There Was Everything

Visual Analysis

Aug 12, 2017 The director of the newly released Columbus takes a close look at how doors open onto philosophical mysteries in the films of French master Robert Bresson.

Aug 2, 2017 Dustin Guy Defa’s first feature, Bad Fever, was named one of the best films of 2012 by the New Yorker. His short films Person to Person and Family Nightmare premiered at Sundance and won awards at the Berlinale, SXSW, and...

Jul 31, 2017 In this clip from an episode of Split Screen, now playing on the Criterion Channel on FilmStruck, underground cinema icon Jonas Mekas recounts the wealth of viewing possibilities for moviegoers in midcentury New York.

The ABCs of Bresson

Sneak Peeks

Jul 14, 2017 In a video essay on our release of Robert Bresson’s final film, scholar James Quandt explores some of the formal elements that make the master’s vision of moral corruption so transfixing.

Jul 12, 2017 In this interview from our box-set edition of Roberto Rossellini’s War Trilogy, Paolo and Vittorio Taviani recount their experience discovering these masterful depictions of World War II.

Jul 7, 2017 Canadian-born filmmaker Alison Maclean emigrated to New Zealand as a teenager and later attended Elam Art School in Auckland. After making Kitchen Sink (1989), still arguably the most successful short film to come out of New Zealand, and her debut...

Jul 6, 2017 Our very first DVD edition, Jean Renoir’s masterpiece Grand Illusion, streams on the Criterion Channel in celebration of the film’s eightieth anniversary.

Nadav Kurtz on Paraíso

On the Channel

Jun 27, 2017 Director Nadav Kurtz discusses what he learned while making his short film Paraíso, which chronicles the lives of three skyscraper-window washers in Chicago.

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