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Jan 17, 2014 — The bravura centerpiece of Jules Dassin’s model heist thriller, Rififi, is the elaborately staged burglary itself—a nearly half-hour sequence without dialogue. With surgical precision, the film’s career criminals go about their business in silence—a brilliant directorial choice that leaves us...

Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.

Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.

Jan 10, 2014 — Did You See This?• Reminiscing about Spalding Gray • The Little Tramp is turning 100. • For Dennis Cooper’s birthday, the beauty of Robert Bresson • Still Anger after all these years • Molly Haskell on a new Barbara Stanwyck...

Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.

Jan 6, 2014 — Critics commonly describe Throne of Blood (1957) as Akira Kurosawa’s adaptation of Macbeth. While this description is certainly not untrue, the film is much more than a direct cinematic translation of a literary text. Kurosawa’s movie is a brilliant synthesis...

Dec 30, 2013 — Charlie Chaplin’s comedy has a secret ingredient that has bound us to him forever.

Dec 22, 2013 — The author reflects on his interactions with the great filmmaker.

Dec 20, 2013 — Did You See This?• Farran Smith Nehme on Joan Fontaine • David Thomson on Peter O’Toole • The Great Beauty deserves the award for best-dressed. • Liv Ullmann looks back. • Twenty-five new ones for the National Film Registry •...

Dec 19, 2013 — Repertory PicksIt’s a tradition. Every year at Christmastime, the Gene Siskel Film Center in Chicago resurrects Hiroshi Teshigahara’s exquisite documentary cum visual poem Antonio Gaudí for a weeklong engagement. This largely wordless film, which shows us the beautiful and grand...