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The Wind

Jan 25, 2012 Creating an effect of pity and terror unique in Francesco Rosi’s cinema, The Moment of Truth ought by rights to be counted among his finest achievements. On its original release in 1965, Pauline Kael acclaimed “the beauty of rage, masterfully...

May 21, 2007 Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.

Nov 9, 2006 For years now, Peter has been the public face of Criterion. It’s great to have my partner fielding the brunt of the questions, sitting on the panels, and speaking poetically for all of us. We’ve been partners now for about...

Sep 18, 2006 Released in 1973, in the dying days of General Franco’s forty-year dictatorship, The Spirit of the Beehive soon established itself as the consummate masterpiece of Spanish cinema. Yet, strangely, many of the gifted artists who collaborated on Víctor Erice’s first...

Feb 13, 2006 Jean Renoir’s classic film shows the natural world and the power of technology as wedded through the closely coordinated labor—effected through glances and sign language—of two men.

Sep 18, 2000 Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.

Jan 11, 1999 In 1910 Sir William Mackenzie hired Robert Flaherty to prospect the vast area east of the Hudson Bay for its railway and mineral potential. Over the course of several years and through four lengthy expeditions Flaherty had frequent contact with...

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Modern Italians

The Daily

Jan 14, 2026 There’s a Visconti retrospective on in Vienna, a restored Comencini in New York, and films by Antonioni, Olmi, and Bertolucci will screen at Harvard.

Él: Mad Love

Essays

Nov 18, 2025 This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.

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