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Feb 23, 2021 Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...

Feb 22, 2021 Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...

Feb 12, 2021 In an interview with bell hooks published in 1996, Camille Billops responded to a question about the transgressive candor of her films by saying “It is probably exhibitionism on my part [. . .] some people say our films have...

Feb 8, 2021 This year’s winners come from India, Corsica, Kosovo, Argentina, Bosnia and Herzegovina, and Thailand.

Feb 4, 2021 Here’s an overview of what critics have been saying about this year’s winners.

Jan 29, 2021 This week sees a new publication, a revived column, and countless hours of conversations about movies.

Jan 28, 2021 Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...

Jan 26, 2021 As awards season picks up its pace, we have news, too, from France and New York.

Jan 26, 2021 Larisa Shepitko was born in eastern Ukraine in 1938. Her mother was a schoolteacher; her father, who left the family, fought in World War II. Her mother raised her and her two siblings on her own, and the moment Larisa...

Jan 25, 2021 The blacklist couldn’t stop the irrepressible screenwriter known for his work with Sidney Lumet and Martin Ritt.

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