The Criterion Collection
Short Takes
Mar 9, 2016 — Earlier this year we were proud to release Swedish director Jan Troell’s two-film epic, The Emigrants (1971) and The New Land (1972). The films, starring Liv Ullmann and Max von Sydow, are based on Swedish author Vilhelm Moberg’s four-part series...
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
Interviews
Feb 3, 2016 — For more than two decades, photographer Gregory Crewdson has been creating otherworldly images that reveal an eerie side of Americana. His works, typically tableaux of small-town life, transform the everyday into the uncanny.
Production Notes
Jan 15, 2016 — The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.
Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.
Jan 7, 2016 — At the gala for the New York Film Critics Circle’s 2016 awards dinner Criterion president Peter Becker accepted an award on behalf of his father, Criterion cofounder William Becker. His remarks are reproduced here.
Sneak Peeks
Dec 9, 2015 — Speedy, directed in 1928 by comedy writer and filmmaker Ted Wilde, is a mile-a-minute ride through New York that was the final silent film to star Hollywood comic icon Harold Lloyd. Shot on location in New York and on sound...
Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.
Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.