Right to Die

Feb 23, 2023 — Notes on new features from Christian Petzold, Angela Schanelec, Margarethe von Trotta, and Volker Koepp.

Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Dec 14, 2022 — Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”

Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.

Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.

Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.

Aug 1, 2022 — The Austin Film Society presents films directed by Anna Karina, Juliet Berto, Jeanne Moreau, and Delphine Seyrig.

Feb 11, 2022 — The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.

Feb 2, 2022 — Released in 1972, Perry Henzell’s thrilling drama The Harder They Come, starring real-life reggae icon Jimmy Cliff as singer-turned-outlaw Ivanhoe Martin, was among the first films to prominently feature reggae music both as subject matter and on its soundtrack. The...