Our Day

Nov 23, 2022 — Featured in this month’s roundup: Maya Deren, Joyce Chopra, Michael Almereyda, Nabokov, Pasolini, and Miyazaki.

Nov 23, 2022 — In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

Nov 22, 2022 — Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.

Nov 22, 2022 — Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.

Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”

Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.

Nov 15, 2022 — An ongoing series spotlights films by women directors made in eastern Europe during the Soviet era.

Nov 11, 2022 — This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.

Nov 10, 2022 — Film Forum presents a survey featuring work by Edward Yang and Hou Hsiao-hsien as well as Second Wavers Ang Lee and Tsai Ming-liang.

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.