The Criterion Collection
The Daily
Feb 11, 2022 — The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.
Feb 9, 2022 — The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...
Feb 8, 2022 — A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
The Daily
Jan 31, 2022 — What have the critics been saying about this year’s winners?
Production Notes
Jan 28, 2022 — 1. In 1995, director Lars von Trier contacted Thomas Vinterberg, whom he considered the most promising young Danish filmmaker. (Vinterberg had then not yet made his first feature film, The Biggest Heroes, but had directed two well-regarded shorts, Last Round...
The Daily
Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.
Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.
Jan 10, 2022 — The writer and director was on top of the world before the going got tough.
The Daily
Jan 3, 2022 — Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.