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Now You See Me

Aug 28, 2007 Having studied everything but film in college, I never would have imagined that landing a job in the DVD industry would help me get more out of fashion magazines. But sitting in the front office at Criterion, seeing every person...

Jun 7, 2015 Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Nov 12, 2025 In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.

Sep 28, 2021 Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...

Aug 17, 2021 D. A. Pennebaker turns his camera on Stephen Sondheim and the cast of his breakthrough musical in this revelatory documentary about artists at work.

Jul 16, 2019 When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...

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Production Notes

Jun 19, 2007 One of the blessings (and curses) of working at Criterion is that every film we put out inspires a passionate response from someone, somewhere. Knowing how deeply people feel about a movie as I’m producing the DVD leads to some...

Apr 22, 2026 “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...

Nov 26, 2024 In this tragicomic road movie about a Bible-selling con man and his precocious young charge, Peter Bogdanovich brings Depression-era America to vivid life without sentimentality or nostalgia.

Aug 28, 2024 United by a meditative approach that captures the spiritual bounty of the natural landscape and the tolls of physical labor, this Mexican director’s films challenge stereotypical depictions of his country’s rural communities.

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