Los evadidos

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Jul 6, 2022 — The seventy-fifth edition will premiere new films by Helena Wittmann, Alexander Sokurov, and Nikolaus Geyrhalter.

Jun 29, 2022 — A fresh round on biographies and studies of filmmakers and actors as well as a few novel ideas and critical collections.

Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.

Jun 17, 2022 — This week: Surrealism and cinema, a Cold War “travesty,” talking about Bruno, and walking in Hong Kong.

Jun 15, 2022 — The late actor will be remembered for his work with Robert Altman, Paul Thomas Anderson—and Jerry Seinfeld.

Jun 1, 2022 — UCLA spotlights a diverse array of American lives depicted in films made between 1984 and 2020.

Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.

May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.