In Our Day

May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.

Apr 20, 2020 — This month sees new books by and about Woody Allen, Miranda July, and Michael Snow as well as fresh translations and collections of criticism.

Apr 13, 2020 — The director of House, dozens of experimental films, and thousands of commercials returned again and again to the devastation of the Second World War.

Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...

Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

Feb 14, 2020 — Featured this week are a letter from Hollis Frampton, a new issue of photogénie, a talk with Charles Burnett, and more.

Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.

Jan 7, 2020 — The filmmaker, theater director, and Actors Studio instructor had a seemingly endless string of stories to tell.

Dec 17, 2019 — She worked with Rivette, Fassbinder, and Visconti, but of course, any discussion of her illustrious career will always circle back to Godard.