How to Deal

Feb 23, 2017 — Pedro Almodóvar’s Oscar-nominated breakthrough revels in the complexities of the female psyche.

Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.

Oct 24, 2013 — In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...

Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Feb 2, 2011 — This interview was published in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the Toronto International Film Festival. The photograph appears courtesy of Colleen Murphy. We met on March...

Feb 1, 2011 — When Krzysztof Kieślowski’s The Double Life of Véronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet danced around...

May 25, 2009 — Reported from the set of Eddie Coyle by New Journalism trailblazer Grover Lewis, this article is a profile of Robert Mitchum that features extensive, idiosyncratic monologues by Mitchum himself.

Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.