Nov 3, 2009 If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.

Oct 29, 2009 In the spirit of the season, we asked a select coven of horror mavens (including a couple of our own) to write about their favorite Criterion scarefests. Chuck StephensEquinox: The Eyebrows of Mr. Asmodeus There are myriad ways into Equinox,...

Sep 10, 2009 Is That Hamilton Woman, starring Vivien Leigh and Laurence Olivier at their most heart-stoppingly beautiful and mutually enraptured, one of the most romantic movies ever made because or in spite of the fact that it was designed as propaganda? It...

Sep 8, 2009 “It’s not my fault that I’m Japanese . . . yet it’s my worst crime that I am!” The words are those of Kaji, hero of The Human Condition (1959–61), but in his anguish and existential despair, he also speaks...

Aug 24, 2009 Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...

Jul 14, 2009 Tough title to live up to. The lofty three-word phrase Al Reinert chose for his 1989 documentary on the Apollo space program comes from the plaque the first men on the moon, Neil Armstrong and Buzz Aldrin, left there in...

Jun 22, 2009 So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it. Alain Resnais’ second feature has been lavishly praised and royally...

Jun 15, 2009 With the arrival of this film, cinema catapulted to the front line of a cultural advance guard that sought to undermine the intractable mass taste promoted by Hollywood, television, and the Brill Building.

May 11, 2009 Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...

Apr 27, 2009 Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.

Current Page
56
of 138

You have no items in your shopping cart