The Criterion Collection
Tech Corner
Oct 2, 2020 — The Lady Eve, from 1941, is my favorite of all of Preston Sturges’s comedies. I would wager to say that it’s Barbara Stanwyck’s best performance, though I also love her in Double Indemnity and Forty Guns. Heck, I love her in everything she’s in. But...
Oct 1, 2020 — Martin Scorsese’s World Cinema Project No. 3 The film world and ordinary people(s) in the four corners of the globe have long awaited the home-video release of Soleil Ô (Oh, Sun, 1970), the groundbreaking feature debut of one of Africa’s...
The Daily
Sep 23, 2020 — From Hitchcock’s orbit to The Architecture of Cinematic Spaces, here’s some of this month’s best writing on new books.
Sep 16, 2020 — When I think of Albert Brooks, the first image that invariably comes to mind is that of a worry-stricken man desperately impressing his anxieties upon a bemused, notably less nebbishy partner, presenting an elaborate case for the legitimacy of those...
The Daily
Sep 14, 2020 — Golden Lion for Chloé Zhao! Plus a look at what the critics have to say about all the award winners.
The Daily
Aug 31, 2020 — Fans around the world remember an accomplished actor, a genuine movie star, and a generous role model.
Aug 27, 2020 — In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...
Interviews
Aug 19, 2020 — An atmospheric tale of seduction and dread in Venice, The Comfort of Strangers (1990) came to Paul Schrader as a project in need of a director, with a completed screenplay by Harold Pinter, faithfully adapted from Ian McEwan’s acclaimed novel....
Aug 18, 2020 — Chris Hegedus and D. A. Pennebaker’s restless, captivating Direct Cinema triumph Town Bloody Hall is a work of oceanography, documenting one splashy moment in the cresting and crashing of American feminism’s second wave. The film chronicles the “Dialogue on Women’s...
Aug 11, 2020 — I’ve often found that the most successful short films and short stories apply what Ernest Hemingway called the “iceberg theory,” distilling a larger narrative into a very specific moment that allows audiences to infer the bigger picture in their own...