The Criterion Collection
Nov 14, 2011 — In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological consequences of Europe’s reunification are still unfolding, there was an immediate...
Oct 4, 2011 — Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.
Interviews
Sep 28, 2011 — As a film student at the University of Southern California, new to LA and without connections, Patricia Resnick had a habit of following film trucks, just to see where they’d lead. One took her to Westwood and the set of...
Essays
Sep 13, 2011 — Robert Altman’s spellbinding drama about stolen identities is propelled by evanescent reveries of his own and inventive contributions from cast and crew.
Short Takes
Jul 8, 2011 — Marcel Carné’s rich backstage drama about the theater world of nineteenth-century Paris, Children of Paradise, is back—in a new form. Based on Jacques Prevert’s original scenario, a ballet version of the classic film, choreographed by José Carlos Martinez and scored...
Short Takes
May 24, 2011 — One Scene The first time I saw Solaris was on VHS in the mid-nineties. Even though the film affected me profoundly, I never watched it again until now. The richness of the images, the vividness of the mood, and the depth...
A founder of Italian neorealism, this Italian master brought to filmmaking a documentary-like authenticity and philosophical stringency that came to define modern cinema.
Mar 21, 2011 — Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...
Mar 15, 2011 — Based on Louis Malle’s childhood memories, this period drama traces the wary, prickly friendship between two boys, one of whom is hiding from the Nazis.
Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.