Fiction

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...

May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.

May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...

May 16, 2019 — Within a brisk seventy-seven minutes, Dupieux and Jean Dujardin escort us into the mind of a potential psychopath.

May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...

May 2, 2019 — The new issue features essays on work by Joanna Hogg and Olivier Assayas and a celebration of its publisher’s fiftieth anniversary.

Apr 25, 2019 — A guide to the guides to this year’s edition.

Apr 24, 2019 — When It Rains Charles Burnett has long been recognized by historians as one of the greatest American film directors, and he’s won numerous important awards, including an honorary Oscar in 2017. Nevertheless, he is still relatively unknown beyond the world...

Apr 23, 2019 — The independent program will premiere new work by Robert Eggers, Lav Diaz, Bertrand Bonello, Rebecca Zlotowski, Takashi Miike, Luca Guadagnino, and Ariane Labed.