Aug 31, 2023 With the WGA and SAG-AFTRA strikes on, the spotlight this fall will be on the directors.

Aug 29, 2023 Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

August Books

The Daily

Aug 16, 2023 This month’s roundup spotlights summer blockbusters, historical perspectives, and dazzling costumes.

Aug 7, 2023 In a tribute to Elvis Presley that aired on Turner Classic Movies, Kurt Russell says that “an Elvis movie is always worth watching because of Elvis.” This insight gets at a core truth about a much maligned and mostly dismissed...

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Jul 25, 2023 Venice packs more than a few surprises, and Toronto’s announced sixty Gala and Special Presentations.

Jul 25, 2023 In his five collaborations with actor Randolph Scott and producer Harry Joe Brown, Boetticher presents an unsentimental vision of honor-bound men competing and banding together in a desolate landscape ruled by chance.

Jul 20, 2023 The eye candy pops, the gags fly, and the debate over what selling out even means anymore rages.

Jul 18, 2023 In her music, her films, and her often stormy romances, Birkin captivated us for more than half a century.

Striking Images

The Daily

Jul 14, 2023 This week, we’re reading conversations with Cheryl Dunye, Christian Petzold, and Whit Stillman.

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