The Criterion Collection
Aug 13, 2007 — Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.
Apr 16, 2007 — Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.
Mar 19, 2007 — In 1945 Arthur Fellig, known as Weegee, a canny and gifted tabloid newspaper photographer, did something unprecedented: he assembled some of his best shots, of corpses and fires and arrests and crowds and spectacles, and made them into a book,...
Jan 22, 2007 — A delightfully old-fashioned morality tale, Robert Day’s low-budget space flick is far more than the standard monster fare it was initially sold as.
Jan 22, 2007 — Spencer Gordon Bennet’s eclectic science fiction–adventure movie bundles a serious patriotic message within its retelling of the Odysseus myth.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad
Aug 14, 2006 — The Bakery Girl of Monceau and Suzanne’s Career are not Eric Rohmer’s first films. By 1963, he had made several shorts and one feature, Le signe du Lion. Yet these two short works—with their meticulously charted Paris locations; their semidocumentary...
Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.
Jun 19, 2006 — This essay originally appeared in the fanzine PHOTON (issue #22), in 1972. Stop-motion animation has been attracting a growing number of enthusiasts for about the last ten years, and though it seems the majority of these people must out of...
Jan 23, 2006 — Ingmar Bergman was enjoying one of the happiest spells of his life while making The Virgin Spring (1960). On a personal level, he was felicitously ensconced in his fourth marriage, to the concert pianist Käbi Laretei. And, professionally, he was...