Oct 25, 2016 On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Aug 23, 2016 Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Jul 30, 2016 Art director Eric Skillman describes working with Jack on the design for our release of Stanley Kramer’s It’s a Mad, Mad, Mad, Mad World as one of the highlights of his career.

Jul 26, 2016 On what would have been the iconic filmmaker’s eighty-eighth birthday, we’re celebrating him with a selection of essays, photos, and videos from our releases.

Jul 20, 2016 In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.

Jun 29, 2016 In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

May 18, 2016 In 1966, Senegalese novelist-turned-director Ousmane Sembène achieved international acclaim with his debut feature-length film, Black Girl. His urgent and intimate portrait of a young woman who leaves behind the struggles of her native Dakar for an equally challenging life as...

May 17, 2016 Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

Apr 19, 2016 In Whit Stillman’s second feature, cousins Fred and Ted Boynton (Chris Eigeman and Taylor Nichols) navigate an occasionally hostile culture and their own late transitions to adulthood.

Apr 12, 2016 Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”

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