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A Matter of Time

Mar 14, 2005 The first time I put an eye behind a camera (a 16mm Bell & Howell), it was in a lunatic asylum. The head of the institution was a great big hulk of a man with a face so ravaged by...

Jan 17, 2005 Jacques Becker’s genius is to focus resolutely on what comes before or after or falls in between the decisive actions: it’s a crime film where we learn how gangsters brush their teeth.

Gertrud

Essays

Aug 20, 2001 Carl Dreyer’s modern tragedy eschews melodrama, striking a balance between suffering and triviality.

Jun 24, 1990 Some films have become famous simply because they’ve sold a lot of tickets. Others have major studio publicity machines behind them, the better to hog the spotlight. Still others earn their fame the hard way through genuine critical acclaim. But...

Lola Montès

Essays

Nov 10, 1986 Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.

Jul 29, 2024 Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.

Hello to Language

The Daily

Dec 16, 2022 This week: Molly Ringwald and Caroline Champetier on Godard, interviews with Tony Kushner and Park Chan-wook, and the new Brooklyn Rail.

Oct 18, 2021 Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”

Apr 2, 2021 One Scene Thomas Vinterberg no longer holds fast to the ascetic tenets of Dogme 95, the film movement he cofounded in 1995 with fellow Danish director Lars von Trier, but what has remained constant throughout his career is his sharp...

Cannes Stories

The Daily

May 14, 2020 Sorely missing the festival this year, filmmakers and critics swap memories and reflections.

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